| Opus |
Year |
Title |
Categories |
| -- |
1956 |
Kōkyōteki "Dō" ['symphonic "Dō"']
|
Orchestra/Concerto |
| -- |
1958 |
Kōkyōteki Kyōsōkyoku ['symphonic concerto']
for orchestra
|
Orchestra/Concerto |
| 1 |
1960 |
Prelude and Variations for 9 Players
for flute, clarinet, bassoon, horn, percussion, piano, violin, viola, and cello
|
Chamber |
| 2 |
1960 |
Seven pieces for small orchestra
for fl, clar, 4 perc, 3 harps, cello, piano, 2 vl I, 2 vl II, 2 vla, vc, kb
|
Orchestra/Concerto |
| 3 |
1961 |
Four Bagatellen
for violin and piano
|
Chamber |
| -- |
1962 |
Scene for group dance and 9 players
|
Stage |
| 4 |
1962 |
Transitions
for small orchestra
|
Orchestra/Concerto |
| 5 |
1963 |
Aphorismen
for violin, viola, cello, percussions, and piano
|
Chamber |
| -- |
1964 |
Osorezan
Melodrama per un recitatore (Contralto), coro, orchestra da camera e nastro magnetico
|
Orchestra/Concerto |
| 6 |
1964 |
Gallow songs
by Christian Morgenstern; for bariton, male choir, and 13 players
|
Chamber |
| 7 |
1964 |
Nine small movements
for violin and piano
|
Chamber |
| -- |
1965 |
Improvisation
for flute, oboe and violin
|
Chamber |
| 8 |
1965 |
Charaktere
for flute, oboe, piano and guitar
|
Chamber |
| 9 |
1965 |
Hamon
music for violin, chamber ensemble and tapes
|
Chamber |
| 10 |
1967 |
Expressions
for string orchestra
|
Orchestra/Concerto |
| 11 |
1967 |
Five elements
for guitar and 6 players (2 flutes, percussion, violin, viola, cello)
|
Chamber |
| 12 |
1968 |
Piano piece
for piano player and percussionist
|
Solo |
| 13 |
1968 |
Kyō-Ō
music for piano (multipiano), orchestra, and electronic sounds
|
Orchestra/Concerto |
| 14 |
1969 |
Kyō-Sō
for percussion groups and full orchestra
|
Orchestra/Concerto |
| 15 |
1969 |
La-Sen
music for 7 players and electronic sounds
|
Chamber |
| 16 |
1969 |
Marimba piece
with 2 percussionists
|
Chamber |
| -- |
1970 |
Japanese Suite
for guitar, strings, flute, and percussion
|
Chamber |
| 17 |
1970 |
La-Sen II
for violoncello solo
|
Solo |
| 18 |
1970 |
Sō-Gū I
for shakuhachi and piano
|
Chamber |
| 18a |
1970 |
Music for shakuhachi
|
Solo |
| 18b |
1970 |
Piano piece '70
|
Solo |
| 19a |
1970 |
Shikyō
music for gagaku
|
Chamber |
| -- |
1971 |
Iki for choir
|
Chamber |
| 19 |
1971 |
Sō-Gū II
for gagaku and orchestra (shi-kyō + Dipol)
|
Orchestra/Concerto |
| 19b |
1971 |
Dipol
for orchestra
|
Orchestra/Concerto |
| 20 |
1971 |
Sen-Ten
for one percussionist and electronic sounds
|
Solo |
| 21 |
1972 |
Aphorismen II
for one pianist
|
Solo |
| -- |
1973 |
Chōetsu
|
Chamber |
| 22 |
1973 |
Polaritäten
for solists and orchestra
|
Orchestra/Concerto |
| 23 |
1973 |
Synkretismen
for marimba, 7 solists and orchestra
|
Orchestra/Concerto |
| 24 |
1973 |
Nucleus
for biwa, harp, shakuhachi, and flute
|
Chamber |
| 25 |
1974 |
Anime Amare
for harp and tape
|
Solo |
| -- |
1975 |
Ambiance
|
Chamber |
| -- |
1975 |
Scene of Violet
music for dancers, musicians, light and electric sounds
|
Stage |
| 26 |
1975 |
Jō
for orchestra
|
Orchestra/Concerto |
| 27 |
1976 |
Black Intention I
for one recorder player
|
Solo |
| 28 |
1976 |
Monochrome
for japanese drums and gongs
|
Chamber |
| 29 |
1976 |
Mono-Prism
for Japanese drums and orchestra
|
Orchestra/Concerto |
| -- |
1977 |
Voices-Violet
|
Chamber |
| 30 |
1977 |
Black Intention II
for oboe, clarinet, and bassoon
|
Chamber |
| 31 |
1977 |
Black Intention III
piano etude for breath ・ for piano solo
|
Solo |
| 32 (A) |
1978 |
Lost Sounds Iーversion A
for violin and piano
|
Chamber |
| 32 (B) |
1978 |
Lost Sounds IーVersion B
violin, piano, and 2 percussions
|
Chamber |
| 32 (C) |
1978 |
Lost Sounds I – Version C
for violin, piano, 2x percussions, harp, clarinet, and flute
|
Chamber |
| 33 |
1978 |
Lost Sounds II
for organ solo
|
Solo |
| 34 |
1978 |
Lost Sounds III
Concerto for violin and orchestra
|
Orchestra/Concerto |
| 35 |
1978 |
Omote (Noh masks)
for noh-player, percussion, and electronic sounds
|
Stage |
| 36 |
1978 |
Search in Gray I
for solists (2) and orchestra
|
Orchestra/Concerto |
| 37 |
1978 |
Search in Gray II
for percussion solo and tape
|
Solo |
| -- |
1979 |
ishi no monogatari (a stone story)
|
Orchestra/Concerto |
| 38 |
1979 |
Drifting Island
for Koto (17-Gen) and percussion
|
Chamber |
| 39 |
1979 |
Sho-kō
tetra tone sounds for orchestra
|
Orchestra/Concerto |
| -- |
1980 |
Toneriko no Numa
|
Chamber |
| -- |
1980 |
Black Intention IV
for four recorder players
|
Chamber |
| 40 |
1980 |
Sen-Yō
for flute solo
|
Solo |
| 41 |
1980 |
Beyond a Distance
for piano solo
|
Solo |
| 42 |
1980 |
Sounds poem "Kumano Fudaraku"
for voice (gidayu), marimba, percussion, and electronic sounds
|
Chamber |
| 42b |
1980 |
Funazoko Hijiri -- Kumano Fudaraku
for voice, marimba, percussion and electronic sounds
|
Chamber |
| 43 |
1980 |
Ga-Ei
for koto solo and orchestra
|
Orchestra/Concerto |
| -- |
1981 |
In the cherry-blossom forest (original story: Ango SAKAGUCHI)
for Kabuki-player, voice (gidayu), yokobue, marimba, percussion, and electronic sounds
|
Stage |
| 44 |
1981 |
Hibiki no Hyō-Shō (Sounds of far vision, Sounds from a time incarnate)
for violin and piano
|
Chamber |
| 45 |
1981 |
Hibiki Ranbu
for dancer (bugaku), female dancer (modern dance), and gagaku ensemble
|
Stage |
| 46 |
1981 |
Dyu-Ha
for KODŌ (japanese drummer group)
|
Chamber |
| 47 |
1981 |
Dyu-Ha II
for ensemble (fl, Shakuhachi, perc., koto group)
|
Chamber |
| 48 |
1981 |
Hiten-Raku
for gagaku (bugaku), hōmyō, Reigaku, percussion
|
Stage |
| 49 |
1982 |
Translucent Vision
for orchestra
|
Orchestra/Concerto |
| 50 (A) |
1982 |
Afro Concerto -- Version A
for Marimba, Percussion, and Orchestra
|
Orchestra/Concerto |
| 50 (B) |
1982 |
Afro Concerto -- Version B
for Percussion solo (Marimba and Percussion)
|
Solo |
| 48b |
1983 |
Hiten-Seidō I
for gagaku ensemble (ryūteki, 2-hichiriki, 2-shō)
|
Chamber |
| 51 |
1983 |
Hakudaku-Mu
for shakuhachi, 2 koto and 17-gen (koto)
|
Chamber |
| 52 |
1983 |
A Time of Afterglow
for violin and koto
|
Chamber |
| 53 |
1983 |
A Gleam of Time
for harp solo
|
Solo |
| 54 |
1983 |
Motions, Gleams and Line that Breathe
for orchestra
|
Orchestra/Concerto |
| 55 |
1983 |
Hiten-Seidō II
for marimba duo
|
Chamber |
| -- |
1984 |
Fanfare
|
Chamber |
| 33b |
1984 |
Lost Sounds II
Version for Accordion
|
Solo |
| 56a |
1984 |
Kaguyahime Suite (Night gleam princess)
symphonic suite for percussion groups
|
Chamber |
| 57 |
1984 |
Mori no Uta (song of the wood) (poem by Hajime Kijima)
for mixed choir a capella
|
Chamber |
| 58 |
1984 |
Alternation I
for altsaxophone and marimba
|
Chamber |
| 59 |
1984 |
Alternation II
for bassclarinet and marimba
|
Chamber |
| 60 |
1984 |
Gioh
Symphonic Poem for Yokobue (jap. traditional transverse flute) and orchestra
|
Orchestra/Concerto |
| 61 |
1984 |
Kaeru no Shōmyō (Buddhist chant of frogs) - based on a poem by Shinpei KUSANO
for one actor (performs frog role), shō-myō (buddhist chant), and buddhist percussion
|
Stage |
| 61b |
1984 |
A-Bi-Ra-Un-Ken
for shōmyō and percussions
|
Chamber |
| 56b |
1985 |
Kaguyahime Ballet (Night gleam princess)
for ballet, japanese drums, percussions, and gagaku ensemble
|
Stage |
| 62 |
1985 |
Haku - the spirit which remains behind in the material world -
for shakuhachi, sangen and 2 koto
|
Chamber |
| 63 |
1985 |
Gedatsu (a spirit delivered)
concerto for yokobue and orchestra
|
Orchestra/Concerto |
| 64 |
1985 |
Elegy
for yokobue, marimba, and percussions
|
Chamber |
| 65 |
1985 |
Mono-Prism II
for Japanese drums and percussion group
|
Chamber |
| 66 |
1985 |
Thirteen Drums
for percussion solo
|
Solo |
| 67 |
1985 |
Zoku-Kaeru no Shōmyō (Buddhist chant of frogs no. 2) - based on a poem by Shinpei KUSANO
for actress, actor, voice of shōmyō, reigaku, and percussion
|
Stage |
| -- |
1986 |
Blue Flame (Yamada Kōsaku, composer; arrangement by Maki Ishii)
|
Arrangement |
| 68 |
1986 |
Autumn Variante
for orchestra
|
Orchestra/Concerto |
| 69 |
1986 |
Hyōbyō no Hibiki
for haishō and gogen
|
Chamber |
| 69a |
1986 |
Hyōbyō no Hibiki I
for haishō
|
Solo |
| 69b |
1986 |
Hyōbyō no Hibiki II
for go-gen
|
Solo |
| 70 |
1986 |
Autumn Metamorphose
for piano, harp, and vibraphone
|
Chamber |
| 71 |
1986 |
Intrada
for orchestra -- based on music by G. Friedrich Händel
|
Orchestra/Concerto |
| 72 |
1986 |
Ito wa Hikari ni
for koto and tape
|
Solo |
| 69c |
1986-1998 |
Hyōbyō no Hibiki III
for haishō, gogen, and hyōkyō
|
Chamber |
| -- |
1987 |
Teito Monogatari
|
Orchestra/Concerto |
| 52b |
1987 |
A Time of Afterglow [version B]
Version for violin and piano
|
Chamber |
| 73 |
1987 |
Tango-Prism
for accordeon solo
|
Solo |
| 74 |
1987 |
Ko-Kū (the void)
for ryūteki and percussion
|
Chamber |
| 75 |
1987 |
Hiten-Seidō III
for marimba solo
|
Solo |
| 76 |
1987 |
Rō Rō no Hibiki
music for sanukitphone (stone instruments), wood instruments and one melody instrument
|
Chamber |
| -- |
1988 |
Ifukube Akira - San
Maboroshi no Kyoku
|
Orchestra/Concerto |
| 77 |
1988 |
Music for shō and cello
|
Chamber |
| 78 |
1988 |
Ryū Kyō
symphonic festival music based on the Gujō-Odori for Gujō-odori, ryūteki, japanese drums, 7 european instruments and a group of
|
Stage |
| 79 |
1988 |
Concertante
for marimba and 6 percussionists
|
Chamber |
| 80 |
1988 |
Momotarō Onitaiji (Momotarō slays the demons)
for one dancer, Shōmyō, Reigaku, percussions and Kabuki player
|
Stage |
| 81 |
1988 |
For Lily
thirteen drums paraphrase for marimba and percussions
|
Chamber |
| 82 |
1989 |
Yoru no Hibiki
for violin solo
|
Solo |
| 84 |
1989 |
Fū Shi (Shape of the Wind) (Floating Wind -- part II)
for orchestra
|
Orchestra/Concerto |
| 85 |
1989 |
Garei (The Spiritual Power of Gagaku) (Floating Wind -- Part I)
for orchestra
|
Orchestra/Concerto |
| 87 |
1989 |
Fū Shi II
for noh-kan solo and small orchestra
|
Orchestra/Concerto |
| 84-086 |
1989-1992 |
Floating Wind -- Symphonic linked works --
for orchestra
|
Orchestra/Concerto |
| 86 |
1989-1992 |
Saidōki (Demon) (Floating Wind -- part III)
for percussion solo and orchestra
|
Orchestra/Concerto |
| 83 |
1989-1996 |
Horn-Rhapsody
for 6 horns
|
Chamber |
| -- |
1990 |
Haruka naru Hibiki
the star legend (Ultra-Q) -- for orchestra and cidelo ihos
|
Orchestra/Concerto |
| -- |
1990 |
Orochi
Music fantasy: The Great Serpent (OROCHI) -- Disguised as Love -- ( for TV)
|
Orchestra/Concerto |
| 88 |
1990 |
Suien Densetsu (Legend of the Water Flame)
for yokobue, percussion, recitation, and dance
|
Stage |
| 89 |
1990 |
Yama no Hibiki
for 12 tuba-euphoniums
|
Chamber |
| 90 |
1990 |
Hakuya no Hibiki for strings
Ode to Petr Ilych Tchaikovsky
|
Chamber |
| 91 |
1991 |
Kokai
for cembalo
|
Solo |
| 92 |
1991 |
Strange Tales – Urashima Tarō – A Fiction: Relativity Theory)
Iconological Performance for Sounds, Bugaku and Modern Dance
|
Stage |
| 93 |
1991 |
Piano piece -- north - silver - night(winter)
for piano solo
|
Solo |
| 94 |
1991 |
Tenor recorder piece -- East - Green - Spring
|
Solo |
| 95 |
1992 |
Percussion Concerto -- South - Fire - Summer --
for percussion solo and orchestra
|
Orchestra/Concerto |
| 96 |
1992 |
String quartett -- West - Gold - Autumn
|
Chamber |
| -- |
1993 |
Background music for the anime art video "Tengu no Ha'uchiwa"
|
Orchestra/Concerto |
| 97 |
1993 |
Kaleidophon
for japanese drums, marimba, and 2 percussions
|
Chamber |
| 98 |
1993 |
San-Shun
for ryūteki solo
|
Solo |
| 99 |
1993 |
Haruka nari, Sō-Gū
for shakuhachi and koto (20 strings)
|
Chamber |
| -- |
1994 |
Susanō
For Avignon Festival Summer 1994
|
Stage |
| 100 |
1994 |
Symphonic Ballade "Towards Time Dragondeep" -- music for imaginary ballet of Urashimatarō
for orchestra
|
Orchestra/Concerto |
| 101 |
1994 |
Chronology 1200
for reigaku (haishō, kugo, and hōkyō)
|
Chamber |
| 102 |
1994 |
Episode I
for percussion solo
|
Solo |
| 103 |
1994 |
Episode II
for sangen and voice
|
Chamber |
| 104 |
1995 |
Chronology 1350
for se (chinese koto)
|
Solo |
| 105 |
1995 |
Shōmyō Kōkyō
for shōmyō, ryūteki, and orchestra
|
Orchestra/Concerto |
| 105b |
1995 |
Shōmyō Kōkyō II
for shōmyō, gagaku (bugaku), ballet, harp, string ensemble, and percussion group
|
Stage |
| 106 |
1995 |
Hiten Shōka (Ode to the Hiten -- Hovering of celestial forms)
for niko (erhu) and orchestra
|
Orchestra/Concerto |
| -- |
1995 (1886) |
Strings Carnival
From "Carnival of Animals" By Camille Saint-Saëns; for erhu, violin, biwa, cello, and orchestra
|
Arrangement |
| -- |
1995-1996 |
The Er Quan Spring Reflecting the Moon (composed by hua Yan-Jun (1950); arranged by Maki Ishii)
for Erhu and Orchestra
|
Arrangement |
| 107 |
1996 |
Bassoon rhapsody
for bassoon quartet
|
Chamber |
| -- |
1997 |
The Er Quan Spring Reflecting the Moon (composed by Hua Yan-Jun (1950); arranged (1997) by Maki Ishii)
for Erhu solo, ryūteki, koto (20 strings), marimba, contrabass and 4x percussions
|
Arrangement |
| 108 |
1997 |
Bonshō no Koe -- from the tales of the heike (ballet music/3 acts)
for orchestra
|
Stage |
| 109 |
1997 |
Beyond a Distance II
for violoncello solo
|
Solo |
| -- |
1998 |
Music for the parade of athletes -- 1st movement, paraphrase based on folkmusic from hokkaido and okinawa
Nagano Winter Olympics -- Music of the Opening Ceremony
|
Orchestra/Concerto |
| -- |
1998 |
Nagano Winter Olympics -- Music of the Opening Ceremony
|
Orchestra/Concerto |
| 110 |
1998 |
Jinkan Yumenogotoshi I (Life is like a dream)ーbased on poetry of LUO Guanzhong, CAO Cao, CAO Zhi and SU shi
for recitation, ryuteki, koto, marimba, contrabass, and 4 percussions
|
Chamber |
| 111 |
1998 |
Jinkan Yumenogotoshi II (Life is like a dream) ーbased on poetry of LUO Guanzhong, CAO Cao, CAO Zhi, SU Shi and 6 players
for recitation and orchestra
|
Orchestra/Concerto |
| 112 |
1998 |
Ki-Shō-Ten-Gō I
for shakuhachi and 6 players
|
Chamber |
| 112b |
1999 |
Minazoko kara no Hibiki
|
Chamber |
| 113 |
1999 |
Chigyō -- Tojirareta Fune (the sealed boat)
The journey of a Buddhist priest ot hell and return alive (opera in 2 acts/3 parts with prologue and epilogue)
|
Stage |
| 114 |
1999 |
Bassoon rhapsody II
Ode to Johann Wolfgang von Goethe -- for bassoon quartet
|
Chamber |
| 115 |
1999 |
Ki-Shō-Ten-Gō II – based on Tang poetry Dawn in Spring by Měng Hào Rán
for string orchestra
|
Chamber |
| 116 |
1999 |
GAEI -- Metamorphose
for 13 stringed KOTO solo and KOTO ensemble
|
Chamber |
| 117 |
2000 |
Concerto M-2000
for marimba and orchestra
|
Orchestra/Concerto |
| 118 |
2000 |
Shichiku Gōitsu
for koto (13 strings), and shakuhachi
|
Chamber |
| 119 |
2000 |
Fourteen Percussions
for two players
|
Chamber |
| -- |
2001 |
Mahoroba no Akita
music for the opening ceremony of the World Games Akita 2001
|
Orchestra/Concerto |
| -- |
2001 |
Fanfare No. 1
music for the opening ceremony of the World Games Akita 2001
|
Orchestra/Concerto |
| -- |
2001 |
Fanfare No. 2
music for the opening ceremony of the World Games Akita 2001
|
Orchestra/Concerto |
| -- |
2001 |
March
music for the opening ceremony of the World Games Akita 2001
|
Orchestra/Concerto |
| -- |
2001 |
March II
music for the opening ceremony of the World Games Akita 2001
|
Orchestra/Concerto |
| 120 |
2001 |
Image in the Forest
for harp solo
|
Solo |
| 121 |
2001 |
Jinkan Yume no Gotoshi III (Life is but a dream)
for Erhu and Piano
|
Chamber |
| 122 |
2001 |
Dreams are but shadows
for bass clarinet solo
|
Solo |
| -- |
2002 |
Ōgi no Mai
for dance and orchestra
|
Orchestra/Concerto |
| 19-X |
2002 |
Sō-Gū II
for Gagaku and Orchestra (new version)
|
Orchestra/Concerto |
| 88b |
2002 |
Legend of the Eater Flame 2
for japanese flute, recitation, and percussion ensemble
|
Chamber |
| 123 |
2002 |
Beatessence 1
for Ō-Daiko solo
|
Solo |
| 124 |
2002 |
Beatessence 2
for Taiko Ensemble
|
Chamber |
| 125 |
2002 |
Illusion and Death
for full orchestra
|
Orchestra/Concerto |